Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This etching is taken from the earlier of two portraits Manet painted of his student Eva Gonzalez (now in the National Gallery, London), depicting her painting in Manet's studio. Berthe Morisot was reportedly jealous of the countless sittings required, and the painting was not completed until the last possible day for sending it to the Salon of 1870.
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Edouard Manet|Eva Gonzalès — Profile of Eva Gonzalès turned
Édouard Manet (French, 1832–1883) — Profile of Eva Gonzalès
Odilon Redon — The Width and Flatness of [the] Frontal [Bone
Edouard Manet|Lemercier & Cie.|Lemercier & Cie. — Berthe Mor
Odilon Redon — The breadth and flatness of the frontal bone
Odilon Redon — Ex-libris
Odilon Redon (French, 1840–1916) — The Breadth and Flatness
Odilon Redon — Juliette Dodu
Henri de Toulouse-Lautrec (French, 1864–1901) — Yvette Guilb
Henri de Toulouse-Lautrec — III. Pessima
Henri de Toulouse-Lautrec — Yvette Guilbert—Soûlarde, from Y
Edvard Munch — Woman with Long Hair