Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In the distance the peak of Cader Idris is shown, while riders in the foreground descend toward the river Mawddach. Although almost all of Wilson's earlier pictures of Wales suggest some association with that country's heroic past, here the emphasis is on the pleasing beauty of the land. Another version of this picture is in the Walker Art Gallery in Liverpool. Richard Wilson was the first major British artist to specialize in landscape, a focus he pursued intently after a visit to Italy in 1750-6. The countryside around Rome, with its rich associations of ancient grandeur, inspired him to look at landscape as a source of poetry. Back in England his Italian landscapes, which appealed to his patrons (mostly English noblemen) were a great success. He then applied a similar approach to his English and Welsh scenes, treating them as vehicles for ideas and emotions.
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Lake Nemi and Genzano from the Terrace of the Capuchin Monas
View of St. Peter's and the Vatican from the Janiculum
Rocky Landscape with Standing Figure
Hilly Landscape
Rest on the Flight into Egypt
Ruins in a Mountainous Country
Italian Landscape with Umbrella Pine in Foreground
Banks of the River Dee near Eaton Hall, Cheshire
Thomas Gainsborough (British, 1727–1788) — Rocky, Wooded Lan
Jan Both — Italian Landscape with Mule Driver
George Inness (American, 1825–1894) — Approaching Storm from
Nicolaes Berchem (Dutch, 1620–1683) — Rush Gatherers
Jan Hackaert — Landscape with Cattle Drivers
George Inness (American, 1825–1894) — The Wood Chopper
Simon Denis — Mountainous Landscape at Vicovaro
Alexander Joseph Daiwaille (Dutch, 1818–1888) — Landscape wi
Herman van Swanevelt — Italian landscape
Claude Lorrain (Claude Gellée) — Sunrise
Thomas Gainsborough — Wooded Upland Landscape
Jan Both — Italiaans landschap met tekenaar