Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The young Austrian-born Archduke Ferdinand Maximilian Joseph was controversially installed as Emperor Maximilian I of Mexico in 1864 in an attempt to create a European-style monarchy there, backed by Napoleon III of France and a cohort of monarchists. Seen as part of a European imperialist campaign, Maximilian’s rule was considered illegitimate by those who opposed the French occupation of Mexico. This work interprets the young ruler’s execution in Querétero, Mexico, on June 19, 1867, alongside generals Miguel Miramón (left) and Tomás Mejía (right). Édouard Manet’s composition was inspired by not only history painting and the iconography of Francisco de Goya but also contemporary journalism and the budding field of newspaper photography. One controversial aspect of this print is the presence of French troops in the firing squad rather than those of the Mexican Republic. The lithograph was censored by the French government and was not publicly printed until after Manet’s death.
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Édouard Manet (French, 1832–1883) — The Execution of Emperor
Edouard Manet — The Execution of Maximilian
Charles Maurand — Boulevard du Temple à minuit, from Tirage
George Bellows (American, 1882–1925) — Massacre at Dinant
Théophile-Alexandre Pierre Steinlen — One Hundred Million
Jean Louis Forain — The Departure of the star
Max Klinger — Chained, plate eleven from A Life
Julien Antoine Peulot — At the Universal Exposition: The Per
Henri de Toulouse-Lautrec — Textile Market, Cracow, from Au
Théophile-Alexandre Pierre Steinlen — Rochefort is dying! Ro
Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:
Jean Louis Forain — The Lawyer Abused