Alessandro Turchi

Allegory of the Immaculate Conception with the Fall of Man

1578–1649
Pen and brown ink, brown wash, over traces of black chalk
53.9 × 29.2 cm (21.2 × 11.5 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Alessandro Turchi

Judgment of ParisJudgment of ParisVenus and CupidVenus and CupidFragment of an Assumption (?) Scene: Apostles, with Saint Francis of Assisi in the ForegroundFragment of an Assumption (?) Scene: Apostles, with Saint FrVision of Saint Catherine of SienaVision of Saint Catherine of SienaSaint FlorianSaint Florian

More like this

Allegorical Figure of CharityMarcantonio Franceschini — Allegorical Figure of CharityAllegory of Religion (God the Father above, Faith, Hope, and Charity below)Ludovico Lana — Allegory of Religion (God the Father above, Design for a Baptism of Christ in an Architectural SettingSir James Thornhill — Design for a Baptism of Christ in an AAllegorical Figure of FaithMarcantonio Franceschini — Allegorical Figure of FaithGod Seated on the WorldAntonio Fantuzzi — God Seated on the WorldGod Seated on the WorldAntonio Fantuzzi — God Seated on the WorldHoly FamilyAndrea Sacchi — Holy FamilyVirgin and Child in Glory with Angels and SaintsAnonymous, Italian, Venetian, 18th century — Virgin and ChilThe Virgin and Child with Saints and Angels, and God the Father in the SkyJohann Lorenz Haid — The Virgin and Child with Saints and AnRome and the Tiber Paying Homage to a Pope (Clement XI ?)Carlo Maratti — Rome and the Tiber Paying Homage to a Pope (The Nine Pierides Transformed into Magpies after Their Unsuccessful Competition with the Muses (Ovid, Metamorphoses, V, 294 ff.)Antoine Dieu — The Nine Pierides Transformed into Magpies afSaint Adoring the Madonna and ChildAnonymous, Italian, Roman-Bolognese, 17th century — Saint Ad