Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Among his most expressive uses of the reed pen, this drawing is a fully realized depiction of Noah’s family boarding the ark prior to the great flood described in the Old Testament’s Book of Genesis. The vessel occupies the entire width of the sheet, and Rembrandt emphasized the act of departure by placing figures in the lower left corner who gesture inward, as if indicating where they will soon go. Rembrandt drew a borderline—albeit somewhat haphazardly—around the perimeter of his composition, indicating his satisfaction with his interpretation of the well-known biblical subject. This type of multifigure scene with a literary source provided the standard so many of his pupils aimed to match.
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Constantijn Daniel van Renesse — The Good Samaritan Arriving
Rembrandt (Rembrandt van Rijn) — Cottage near the Entrance t
Anonymous, Italian, Venetian, 18th century — Landscape with
Jan van Goyen (Dutch, 1596–1656) — Landscape with a Cottage
Rodolphe Bresdin — Horsemen and Fishermen
James McNeill Whistler — Wheelwright
Charles-François Daubigny — Moving into “Le Botin”–The Ship’
Claes Jansz. Visscher — Two Barns, Cart at Left, from Landsc
Charles-François Daubigny — Taking Over the Cart or Children
Claes Jansz. Visscher — A Farmhouse, Man Carrying a Basket i
Claes Jansz. Visscher — A Farm, Man with Two Buckets on Path
Claes Jansz. Visscher — Farmyard Young Man and Woman in Fore