Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
One of the most sought-after painters in late 17th-century Rome, Passeri was also a prolific draftsman. The tenderly depicted venerating saint may be identified as Augustine, Bishop of Hippo (340–430), whose miter and crosier are held by two angels, while his numerous writings are represented by the open book at his feet. A sinner turned saint who lived long after the Crucifixion, Augustine could never have knelt at the Cross as this vision suggests.
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The Virgin Immaculate with the Christ Child in Glory (recto)
The Ecstacy of the Blessed Giacinta Marescotti
Abraham's Sacrifice (recto and verso)
Magdalene Washing Christ's Feet
Two Helmeted Soldiers Conversing
Christ and the Centurion (recto); Figure Waving to Departing
The Archangels Gabriel, Michael and Raphael (recto); sketche
The Nativity
Unknown artist
Genovese, 18th century — Crucifixion
Bartolomeo Passarotti — Saints Jerome and Francis of Assisi
Unknown — Crucifixion with Saints
Hans Speckaert — The Crucifixion of Christ
School of Francesco Solimena — Crucifixion with Saint John t
Rembrandt van Rijn — The Descent from the Cross: A Sketch
Cesare Nebbia — Saint Helena Kneeling before the True Cross
Lazzaro Tavarone — Christ Crucified, Attended by the Virgin,
Paul Decker the Younger — Christ Nailed on the Cross
Hendrick Goltzius — The Crucifixion
Gottfried Bernhard Goetz — Dying Man Being Consoled by Chris
Michel François Dandré-Bardon — Christ on the Cross