DISCOVERART

Andrea Lilio

Allegory of Geometry

c. 1600
Pen and brown ink with brush and brown wash, squared in red chalk, on ivory laid paper, laid down on blue laid paper
21.6 × 10.7 cm (8.5 × 4.2 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.edu ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Andrea Lilio

Monk Turning SidewaysMonk Turning SidewaysSaint Romuald or Saint Augustine in His StudySaint Romuald or Saint Augustine in His StudyVenus and CupidVenus and CupidSaint Clement Flanked by Saints Sebastian and RochSaint Clement Flanked by Saints Sebastian and RochBoy Holding StaffBoy Holding StaffPutto with GarlandPutto with GarlandAllegory of PaintingAllegory of PaintingHercules Slaying the Serpent Ladon in the Garden of the HesperidesHercules Slaying the Serpent Ladon in the Garden of the Hesp

More like this

Hope: Design for the Unexecuted Monument to the First Duke of MarlboroughJohn Michael Rysbrack — Hope: Design for the Unexecuted MonuStanding Prophet with a Book and ScrollTaddeo Zuccaro — Standing Prophet with a Book and ScrollJusticeBernardino India — JusticeBishopUnknown artist — BishopStudy for Juno (or Diana) with a PeacockLazzaro Tavarone — Study for Juno (or Diana) with a PeacockMan Standing in Prayer (recto); Drapery Study (verso)Domenico Fiasella — Man Standing in Prayer (recto); Drapery Study for Priest Bearing CrozierEustache Le Sueur — Study for Priest Bearing CrozierTwo Standing Men, One Carrying a LambAnonymous, Italian, Roman-Bolognese, 17th century — Two StanSt. John the EvangelistConte Antonio Maria Zanetti, the Elder — St. John the EvangeSaint ThomasRaphael — Saint ThomasCaricature of a GrandeeAnonymous, Italian, Roman-Bolognese, 17th century — CaricatuYoung Man StandingConte Antonio Maria Zanetti, the Elder — Young Man Standing