Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Lithography proliferated rapidly in France so that by 1838 there were some 300 lithographic printing establishments in Paris alone. It became the most popular printmaking technique because lithographs could be printed relatively cheaply and easily in large editions. The technique was suitable for artists working in a variety of styles; its versatility can be used for spontaneous, rapid execution. Here Isabey exploited the ability of lithography to achieve diverse tones, from rich black to any shade of gray. The pale paper was utilized for highlights. The museum has an outstanding collection of early lithography that John Bonebrake enriched with these and many other examples.
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Victor Morlot|McLean & Co.|Charles Motte|Eugène Isabey — Int
Francis Seymour Haden (British, 1818–1910) — Whistler's Hous
Paul Hüet (French, 1803–1869) — Souvenirs d' Artistes (No. 7
Samuel Prout (British, 1783–1852) — Ruins of the Abbey of Ba
Victor Morlot|McLean & Co.|Charles Motte|Eugène Isabey — Mem
Henry Farrer (American, 1843–1903) — Evening, New York Harbo
Francis Seymour Haden — Whistler's House, Old Chelsea
Paul Hüet (French, 1803–1869) — Six Marines: Environs of Ro
Joseph Nash (British, 1808–1878) — Architecture of the Middl
Otto Henry Bacher — Fondamenta delle Zattere
James McNeill Whistler (American, 1834–1903) — Thames Police
Auguste Hervier (American) — Harbor Scene with Boats and Cas