Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Giulio Campagnola was a painter, miniaturist, engraver, and cutter of gems and type punches in Venice in the early sixteenth century. His work responded to developments in the painting of Andrea Mantegna, Albrecht Dürer, Giorgione, and Titian. In emulation of their atmospheric colorism, Giulio developed a method of engraving with flicks or dots, which produces subtle gradations of tone. Thus, he is credited with inventing the "dotted manner" print, which is exemplified in this impression of the Roman goddess of love and beauty.
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Giulio Campagnola (Italian, 1482–1515) — Venus Reclining in
Charles-Émile Jacque (French, 1813–1894) — Young Woman Bathi
George Bellows (American, 1882–1925) — Nude Study, Classic o
Aristide Maillol (French, 1861–1944) — Illustration for a Po
Giovanni Jacopo Caraglio|Rosso Fiorentino — Plate 20: Pallas
Charles-Émile Jacque (French, 1813–1894) — Young Woman Bathi
Agostino Veneziano (Agostino dei Musi) — Saint Margaret
Master MZ — Memento Mori
Parmigianino (Girolamo Francesco Maria Mazzola)|Wenceslaus H
Edward Calvert (British, 1799–1883) — The Bride
Daniel Hopfer (German, c. 1470–1536) — Eve
George Bellows (American, 1882–1925) — Nude Study, Woman Kne