Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
James Watson created this print for the map- and print-seller Robert Sayer after an original painting by Sir Joshua Reynolds. Here the Duchess of Manchester is seen reenacting the classical myth of Diana disarming Cupid, in the manner of mythological dress-up that luminaries such as Horace Walpole deemed inappropriate. It was commonplace for engravers to produce prints after popular paintings. In fact, painters often worked in tandem with printmakers in order to market themselves to a wider audience. James Watson in particular engraved pictures after many artists, including 50 portraits after Reynolds alone.
Be the first to share your thoughts.
Sign in to join the discussion.
Thomas Watson — Catherine, Lady Bampfylde
Style of Conrad Martin Metz — Venus and Adonis
Charles Clément Bervic — La Déclaration (The Declaration)
Nicolas Delaunay — The Souvenir
René Gaillard|François Boucher — Venus et les Amours (Venus
Charles Clément Bervic — Le Serment (The Oath)
Jacques Firmin Beauvarlet|François Boucher — La Rêvuse (The
Thomas Watson (British, 1743 (?)-1781) — Lady Bampfylde
Francesco Bartolozzi|Richard Cosway|Simon Watts|Frances Abin
Jean Honoré Fragonard|Nicholas François Regnault — La Fontai
Jacques Firmin Beauvarlet|François Boucher — L'Arrivée du Co
F. Müller (German) — Allegorical Scene: Couple before a Stat