Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Saint Jerome, known for translating the Bible into Latin, was a popular subject for paintings in the Renaissance, a period of renewed interest in secular and religious learning. Artists typically depicted him as a scholar in his study or as an ascetic in the wilderness, but this portrait-like image combines both themes. The books before him on the desk suggest his learned character, while the crucifix and skull he contemplates as he beats his breast with a rock evoke his hermetic activities. The saint displays the nervous, exaggerated gestures often found in work by this artist, known as the Master of the Lille Adoration.
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Marinus van Reymerswale — St Jerome in his study
Nicolaas van der Horst — Saint Francis Kneeling in a Grotto,
Lucas van Leyden — St. Jerome in his Study
Lucas van Leyden — St. Jerome
Hendrick Goltzius — St Jerome
Ludolph Büsinck (German, 1590–1669) — St. Matthias
Lucas Cranach (German, 1472–1553) — The Apostle Matthew
Albrecht Dürer — The Penitent
Lucas van Leyden — Christ as the Man of Sorrows with the Ins
Albrecht Dürer — The Penitent
Jan Wierix — St. Bartholomew
Jacques de Gheyn II|Karel van Mander I|Jan Pitten — Ruben, f