Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of the day (derived from engraving techniques) consisted of parallel and cross-hatched lines. Etching, a new technique developed around 1510, freed the artist from both the traditional vocabulary of engraving and dependence on reproductive printmakers. Parmigianino used the medium to convey the grace and spontaneity of his pen and ink drawings. Of the twenty etchings attributed to him, this is generally considered his masterpiece.
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Anonymous, Italian, 16th century|Parmigianino (Girolamo Fran
Tintoretto — Miracle of the Loaves and Fishes
Parmigianino (Girolamo Francesco Maria Mazzola) — Entombment
Andrea Schiavone (Andrea Meldola) — The Lamentation over the
Andrea Schiavone (Andrea Meldola) — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola) — Entombment
Parmigianino — The Entombment
Polidoro da Caravaggio — The Lamentation of Christ (recto an
Anonymous, Italian, 16th century — Descent of Christ into Li
Guido Reni|Parmigianino (Girolamo Francesco Maria Mazzola) —
Pietro da Cortona (Italian, 1596–1669) — Lot and His Daughte
Lodovico Carracci — Sketches of Four Putti (recto); Kneeling