Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of the day (derived from engraving techniques) consisted of parallel and cross-hatched lines. Etching, a new technique developed around 1510, freed the artist from both the traditional vocabulary of engraving and dependence on reproductive printmakers. Parmigianino used the medium to convey the grace and spontaneity of his pen and ink drawings. Of the twenty etchings attributed to him, this is generally considered his masterpiece.
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Head of man in Profile to Left
Head of a Bearded Man in Profile to Left, possibly the Portr
Seated Goddess Diana (recto); Studies of a Nude Male Torso S
Male Nude Torso with Raised Arms
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Apparition of Christ (recto); Printed Fragment with Jupiter
Entombment
Anonymous, Italian, 16th century|Parmigianino (Girolamo Fran
Parmigianino (Girolamo Francesco Maria Mazzola) — Entombment
Andrea Schiavone (Andrea Meldola) — The Lamentation over the
Andrea Schiavone (Andrea Meldola) — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola) — Entombment
Anonymous, Italian, 16th century — Descent of Christ into Li
Guido Reni|Parmigianino (Girolamo Francesco Maria Mazzola) —
Pietro da Cortona (Italian, 1596–1669) — Lot and His Daughte
Pietro Testa — Allegorical Figures on Mount Parnassus: Study
Roger Fenton (British, 1819–1869) — Drawing by Raphael Sanzi
Giovanni Battista Pittoni — Susanna and the Elders (recto);
Parmigianino (Girolamo Francesco Maria Mazzola) — Entombment