● On view now — Gallery 220
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Auguste Préault created this roundel (a composition with a circular format) for the tomb of Jacob Roblès in Père-Lachaise, a Parisian cemetery. Departing from more conventional, comforting funerary imagery of the period—portraits of the deceased or melancholy images of mourning—Préault instead modeled a stark evocation of death. Here, a frail finger is raised to the lips of a deeply shrouded and skeletal face with heavy-lidded eyes, perhaps marking the frontier between life and death. The sculpture met with immediate acclaim upon its first exhibition and became an icon of Romanticism.
Be the first to share your thoughts.
Sign in to join the discussion.
Augustus Saint-Gaudens — Bust from the Adams Memorial
Bernt Notke — The Vision of Joseph
French — Saint John the Baptist
Alessandro Vittoria — One of the Set of the Four Evangelists
French — Virgin of the Annunciation
German — The Education of the Virgin
Giovanni Balducci — Angel Holding Scroll
Auguste Rodin — A Burgher of Calais (Jean d'Aire)
Henry Kirke Brown — Head of an American Indian
French — Head of a Woman
Alessandro Vittoria — One of the Set of the Four Evangelists
Wilhelm Traut|Claude Mellan — Bust of Mary with Crossed Hand