Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Paul Gavarni made this drawing as a study for L'Oiseau de passage (The Bird of Passage), one of the lithographs in a series on Parisian courtesans that he produced for the newspaper Paris . The lithograph's title, L'Oiseau de passage , must refer to the young man since messieurs de passage were casual lovers a courtesan might take on to supplement her protector's regular support. This drawing was once part of the important collection of the artist's work amassed by the writers Edmond (1822–1896) and Jules (1830–1870) de Goncourt. The Goncourts believed Gavarni captured the essence of 19th-century life, and they cited this particular drawing in their Journal des Goncourt , where they called it "the study of this cruel redhead."
Be the first to share your thoughts.
Sign in to join the discussion.
Theodore Roussel — Sketch of Edith Austin
Thomas Jones Barker — Seated Boy, Half-Length
Thomas Barker — Bust of a Woman (recto); Draped Figure, Thre
Thomas Jones Barker — Boy Writing or Sketching
Elizabeth Murray — Portrait of Woman
Samuel H. Crone (American, 1858–1913) — Lamenting Woman (Sar
Theodore Roussel — Portrait Head
Henry Stacy Marks — Seated Woman Resting on her Elbow
Sir Edward Burne-Jones — Study for Mirror of Venus: Head
Thomas Jones Barker — Boy Turning Sideways, Half-Length
Sir Edward Burne-Jones — Seated Woman
Berthe Morisot — Self-Portrait