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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this print, Kosetsu Ogino pays sly homage to the Rimpa school and its traditional founder, Ogata Korin, by depicting a rock with the tarashikomi technique often used by Korin and his followers. This technique consists of dripping pigments into liquid paint or water, creating blurry outlines and unevenly mixed colors, and it came to symbolize the members of the Rimpa school. Here Kosetsu cleverly parodied the common New Year motif Horai (the immortals’ island) by substituting a moss brown rock for the island and a branch of a nandina plant for the lofty pine tree. Kosetsu was a poet and print designer during the late Edo and early Meiji periods. He also contributed to this collection of poems; his piece is the fifth from the right.
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Kitagawa Utamaro — Chidori-gai, itaya-gai, awabi, utsuse-gai
Yabu Chosui — Clam Shells
Haruki Nanmei — A Branch of White Plum Blossoms in a Porcela
Totoya Hokkei — Fans decorated with motifs of the three ausp
Kitagawa Utamaro — Shiro-gai, namima-gashiwa, makura-gai, ir
Shibata Zeshin
Kitagawa Utamaro — Minashi-gai, shio-gai, katatsu-gai, miso-
Kitagawa Utamaro — Chidori-gai, itaya-gai, awabi, utsuse-gai
Kikuchi Yōsai
Torii Kiyonaga — The Saruwaka Dance
Ishikawa Kazan
Keisai Eisen — Fan, Mask of Monkey, and Hat