● On view now — Gallery 101
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The benign, altruistic aspect of Buddhism is expressed in this beautifully sculpted marble head of the bodhisattva Guanyin (Sanskrit: Avalokitesvara). The miniature image of the Buddha known as Amitabha ( Amituo ), depicted in the crown, is clear indication of the bodhisattva's identity. Certain features of this head are shared with other Buddhist icons: the concave forehead circle (urna) is an auspicious mark from which wisdom radiates; the elongated earlobes allude to the aristocratic Indian custom of wearing heavy earrings, and thereby to the Buddha's early life as an Indian prince. This majestic head, which was severed from a monumental standing figure, characterizes the finest sculpture made in far northern China in the late sixth century. The fine-grain white marble from this area was well suited to rounded, smoothly polished surfaces and austere, idealized images. Serene benevolence emanates from Guanyin's gentle, meditative expression (somewhat altered by later recutting of the pupils of the eyes).
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Japanese — Jizo Bosatsu
Afghanistan or Pakistan
Ancient region of Gandhara — Head of
Japan — Yakushi Nyorai
Japan — Seated Bodhisattva
Korea — Buddha
Thailand — Crowned Head
Artist unknown
Japanese — Nyoirin Kannon
Cambodia
Angkor Thom, Bayon Temple — Head of a Male Deity (D
Indonesia
Central Java — Head of Buddha
Japan — Sōgyō Hachiman
Thailand
Central Thailand — Crowned Head of a Bodhisattva
Central Thailand — Standing Buddha