Lucas Cranach the Elder

The Apostles' Creed (Das Symbolum der Heiligen Aposteln)

1548
Book with fifteen woodcuts with letterpress in black on cream laid paper, in eighteenth-century full brown sheepskin, sewn on raised bands, with gold tooled decoration on inner-edges of boards, blind lines and gold titling on the spine, hand-sewn silk headbands, marbled endsheets, and a purple silk page marker
15.4 × 0.8 cm (6.1 × 0.3 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Lucas Cranach’s Saint Simon —naked, trussed upside-down, and partially sawed in half—depicts the apostle en route to his full dismemberment (which made possible his eventual distribution in relic form). Evidently well-received in the single-sheet 1512 Catholic series, here the woodblocks were reprinted to illustrate Martin Luther’s German translation of the Apostles’ Creed. Despite the illustrations’ gratuitously violent detail, the Protestant publisher’s dedication to his daughters referred to them as “fine and pleasing images.”

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Lucas Cranach the Elder

AdamAdamMartin Luther (1483–1546)Martin Luther (1483–1546)EveEveLukas SpielhausenLukas SpielhausenJudith with the Head of HolofernesJudith with the Head of HolofernesJohann (1498–1537), Duke of SaxonyJohann (1498–1537), Duke of SaxonyPortrait of a ManPortrait of a ManPortrait of Magdalena of Saxony, Wife of Elector Joachim II of BrandenburgPortrait of Magdalena of Saxony, Wife of Elector Joachim II

More like this

Illustration from Turnierbuch (Tournament Book), plate seven from Woodcuts from Books of the XVI CenturyMonogrammist H.H. — Illustration from Turnierbuch (TournamenIllustration from Romische Historien by Titus Livius, plate 30 from Woodcuts from Books of the XVI CenturyUnknown artist — Illustration from Romische Historien by TitThe Battle of Lechfeld (recto) and Duke Wolpy of Bavaria and His Wife, Atheyt (verso) from Sachsen-Chronik (Saxon Chronicle), Plate 34 from Woodcuts from Books of the 15th CenturyUnknown artist — The Battle of Lechfeld (recto) and Duke WolUnfalo Endangering Theuerdanck, Causing the the Explosion of Three Cannons, from TheuerdanckHans Schäufelein|Melchior Pfintzing|Hans Schönsperger — UnfaWar with Venice, plate 21 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal ArchHans Springinklee — War with Venice, plate 21 from HistoricaUnfalo Endangering Theuerdanck While Firing a Cannon, from TheuerdanckHans Schäufelein|Melchior Pfintzing|Hans Schönsperger — UnfaIllustration from Gemeiner loblicher Eydgnoschaft Chronick, plate 40 from Woodcuts from Books of the XVI CenturyUnknown artist — Illustration from Gemeiner loblicher EydgnoTitel page from the Modelbuch aller Art Nehens vn Stickens (Page 1r)Christian Egenolff — Titel page from the Modelbuch aller ArtBavarian War, plate 18 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal ArchWolf Traut — Bavarian War, plate 18 from Historical Scenes fTheuerdank Received by Ehrenreich, from Teuerdank, plate 22 from Woodcuts from Books of the XVI CenturyLeonhard Beck — Theuerdank Received by Ehrenreich, from TeueTheuerdanck on his Sickbed, from TheuerdanckMelchior Pfintzing|Hans Schönsperger|Hans Schäufelein — TheuUnfalo Causing a Fall of Theuerdanck's Horse, from TheuerdanckHans Schäufelein|Melchior Pfintzing|Hans Schönsperger — Unfa