Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Romantic painter John Hamilton Mortimer etched a series of Shakespearean heads in the mode of Thomas Frye’s Life-Sized Heads . However, this encounter between a powerful, aged sorceress and a terrified maiden has no literary source. Mortimer invented it himself, possibly responding to a critic’s assertion that Shakespeare was the only English genius who could successfully depict the preternatural realm. Dixon published another theatrical mezzotint that same year, Mr. Garrick in Richard III .
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Henry Pierce Bone — Althaea
Maria Catharina Prestel (German, 1747–1794) — The Triumph of
Jean de La Fontaine|Lamotte-Houdar|Nicolas Henry Tardieu|Cha
William Sharp — Saul and the Witch of Endor
Charles Rambert — Plate Three from Misery
Giovanni David (Italian, 1743–1790) — Sacrifice
Hendrik Goudt (Dutch, 1583–1648) — The Mocking of Ceres
Charles Rambert — Plate Four from Misery
Johan Tobias Sergel — Achilles Restrained by Athena in Agame
Erasmus Quellinus — An Allegory of the Arts with Isis and Ge
John Hamilton Mortimer|Thomas Rowlandson|William Shakespeare
Jean-Honoré Fragonard (French, 1732–1806) — Saint Jerome