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Destouches|Aaron Martinet|Honoré Daumier

Looking at a Manet painting, from 'Sketches from the Salon,' published in Le Charivari, June 19, 1865

June 19, 1865
Lithograph on newsprint; second state of two (Delteil)
23 × 18.9 cm (9.1 × 7.4 in)

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In the collection of The Metropolitan Museum of Art, New York · as of July 2026

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More by Destouches|Aaron Martinet|Honoré Daumier

Old fellow, your painting lacks warmth, and the painter to be sure!, from 'The winter landscape painters,' published in Le Charivari, December 6, 1864Old fellow, your painting lacks warmth, and the painter to bWell, if you look very closely, you might end up finding some quality! The color seems to be good, from 'Sketches from the Salon,' published in Le Charivari, June 16, 1865Well, if you look very closely, you might end up finding somLES ACTIONNAIRES DU GREAT-EASTERN...., from En Italie, published in Le Charivari, November 21, 1859LES ACTIONNAIRES DU GREAT-EASTERN...., from En Italie, publiPrinPrinAt a usurer's, from 'News of the day,' published in Le Charivari, March 21, 1865At a usurer's, from 'News of the day,' published in Le ChariUn parasol dans une position difficule., from Actualités, published in Le Charivari, November 25, 1859Un parasol dans une position difficule., from Actualités, puAmélioration qui ne tardera pas a être apportée aux théâtres de Paris pendant la canicule., from Croquis d'Été, published in Le Charivari, August 16-17, 1859Amélioration qui ne tardera pas a être apportée aux théâtresThe terrible director, from 'The difficult moments in life,' published in Le Charivari, April 2, 1864The terrible director, from 'The difficult moments in life,'

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Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par DaumierHonoré-Victorin Daumier — Looking at the Painting of Manet. Let's leave Madame... these nudes are revolting... (aside) I'll come back later., from 'At the Salon,' published in Le Charivari, May 5, 1866Destouches|Honoré Daumier|Arnaud de Vresse — Let's leave MadThe visitor and the artist, from 'Sketches from the Salon,' published in Le Charivari, May 30, 1864Aaron Martinet|Destouches|Honoré Daumier — The visitor and tWedding at the LouvreGaston de Latouche (French, 1854–1913) — Wedding at the LouvC'est tout d'même flatteur d'avoir son portrait à l'exposition, from Le Salon de 1857, published in Le Charivari, August 31, 1857Aaron Martinet|Honoré Daumier|Destouches — C'est tout d'mêmeMy friend, you have taken the wrong bus, get out quickly!, from 'Parisian sketches,' published in Le Charivari, February 12, 1866Aaron Martinet|Destouches|Honoré Daumier — My friend, you haFourberies de Femmes: En matière de sentimentPaul Gavarni (French, 1804–1866) — Fourberies de Femmes: EnMr. Prudhomme: I shall never get into a compartment alone with a single traveler... principles of personal safety are contrary to that, from 'On the train,' published in Le Charivari, August 18, 1864Aaron Martinet|Destouches|Honoré Daumier — Mr. Prudhomme: I A Sunday connoisseur, from 'At the Louvre,' published in Le Charivari, February 4, 1865Honoré Daumier — A Sunday connoisseur, from 'At the Louvre,'–What are you doing with these stretchers? –Monsieur, a reunion of the literary society is taking place in this house, from 'News of the day,' published in Le Charivari, November 30, 1868Arnaud de Vresse|Honoré Daumier|Destouches — –What are you dThey seem to be planning a conspiracy...., from 'On the train,' published in Le Charivari, August 20, 1864Destouches|Honoré Daumier|Aaron Martinet — They seem to be pThe Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from The Best Days in LifeHonoré-Victorin Daumier — The Evening of the National Holida