Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Ukiyo-e artists and collaborating poets introduced imagery from classical literature to add layers of meaning to their work. Here, a courtesan pores over a letter from an admirer, and the poem next to her reads as follows: "Having been asked to stay over, / I stayed on—and for a good reason. / It’s way past midnight / and the lady is that (legendary implorer) Amagoi Komachi." Midnight was closing time in Yoshiwara, the licensed brothel district of Edo (now Tokyo). Amagoi, or “Praying for Rain,” Komachi refers to ninth-century poet Ono no Komachi—known for her compelling verse and great beauty—and one of her famous compositions.
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Utagawa Toyoharu|Shokusanjin (Ōta Nanpo) — 歌川豊春筆 蜀山人(大田 南畝)賛
Chôbunsai Eishi — A Courtesan Reading a Letter
Kikukawa Eizan (Japanese, 1787–1867) — Komachi Washes the Bo
Suzuki Harunobu (Japanese, 1724–1770) — Kureha of Gakuiseya,
Utagawa School — Memorial Portrait of the Actor Onoe Kikugor
Chôbunsai Eishi — Wakana of the Matsubaya, from the series "
Okumura Masanobu — Happy Ending
Kitagawa Utamaro (Japanese, c. 1754–1806) — Woman Reading a
Totoya Hokkei (Japanese, 1780–1850) — A Picture by Hishikawa
Utagawa School — Memorial Portrait of the Actor Onoe Kikugor
Gakutei Harunobu (Japanese, 1786(?)–1868) — Courtesan Readin
Kubo Shunman