● On view now — Gallery 224
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This scene is imbued with a sense of quiet and stillness, broken only by the lone female bather pulling herself out of the water by a branch. Although the setting is a real hillside lake he visited in northern Italy, Camille Corot painted the view from memory, having returned to Paris in 1843 from the last of three trips to the region. Thus, rather than presenting an accurate record of the location, the painting is a picturesque souvenir, with the topography transformed as much by the artist’s silvery-gray and deep-green palette as by his fond reminiscences.
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