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Matthieu Elias|Reverend Jean de la Barrière

Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed

1706–07
Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
53.2 × 44.1 cm (20.9 × 17.4 in)

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In the collection of The Metropolitan Museum of Art, New York · as of July 2026

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Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600Scene 33: The Blessed Abbot, near death, receives the blessiFeuillant monks carry the bier with the body of Jean de la BarrièreFeuillant monks carry the bier with the body of Jean de la BScene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy AbbotScene 36: Reception of the heart and head of the Blessed FatScene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapesScene 28: The Blessed Abbot having retired to the Château deJean de La Barrière blessing a cardinalJean de La Barrière blessing a cardinalScene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa FioraScene 31: Foundation of a second Feuillant monastery in RomeThe arrest of Jean de La Barrière by the League at LombezThe arrest of Jean de La Barrière by the League at Lombez

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