● On view now — Collection Gallery, Room 15, East Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
While the bare parts of the canvas along the bottom and left edge make this picture appear unfinished, it is possible that Cézanne deliberately left these areas unpainted and considered this a complete work. If the blank sections are jarring, so is the still life's off-center presentation, as the table seems to slide toward the left. The floral pitcher was from the kitchen of Cézanne's father's country estate, the Jas de Bouffan, where this was painted. The pitcher appears in another still life in the collection as well (BF910).
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Henri Matisse — Blue Still Life (Nature morte bleue)
Paul Gauguin — Still Life with Teapot and Fruit
Paul Cezanne — The Plate of Apples
Paul Cezanne — The Basket of Apples
Henry Lee McFee (American, 1886–1953) — Fruits and Flowers
Paul Cezanne — The Vase of Tulips
Marie Laurencin — Still Life with Bowl and Fruit
Adolphe Joseph Thomas Monticelli — Still Life with Fruit and
Auguste Renoir — Still Life with Flowers and Prickly Pears
Henri Matisse — Dishes and Melon (Assiettes et melon)