Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Abraham Bosse’s etchings of everyday life in France exude a subtle opulence. His bourgeois characters deck their walls with paintings and prints. Here even Louis XIII condescends to have his portrait painted by a well-heeled artist. Bosse drew a parallel between this depiction and the portrayal of Alexander the Great’s mistress by the ancient artist Apelles, who is depicted above the painter. According to legend, the resulting work was so exquisite that Alexander gave his mistress to Apelles, who was in love with her, but kept her portrait himself. This allusion emphasizes the artistry of Bosse’s ingenious printmaking techniques and his expectation of Louis XIII’s generosity.
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Abraham Bosse|Jean I Leblond — The Painter
Abraham Bosse|Jean I Leblond — The Painter
Abraham Bosse|Jean I Leblond — The Noble Artist Painting Lou
Pierre Philippe Choffard — In Memory of P. FR. Basan [for th
Richard Earlom — The Exhibition of the Royal Academy of Pain
Gabriel Huquier — Plate from Livre de Scènes Comiques
Simon Fokke — Schilder aan het werk
Claude Gillot — Arlequin Mecontent de Son Peintre
Villain|Hippolyte Bellangé|Gihaut Frères — Ah! Young Man! Wh
Johann Andreas Pfeffel the Elder|Jan Josef Horemans the Elde
Claude Gillot|Jacques Gabriel Huquier — Pierrot and Scaramou
Michel Lasne|Abraham Bosse|Pierre Mariette — Painter at an E