Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose, clothing, possessions, and sometimes backdrop. People came to the studio dressed in their finest outfits, and they often brought objects to represent their interests or occupation, such as the tuning fork held by the music teacher. Hand painting could draw attention to luxury items, as in Young Woman with Pantalettes, where her jewelry is dabbed with gold paint and the lacy cuffs of her pantalettes are enhanced with white paint. Most people had only a few photographs made during their lifetimes; therefore, they were often used to mark rites of passage such as graduation and marriage.
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Unknown Maker — Untitled (Portrait of a Girl Holding Flowers
Southworth & Hawes — Untitled (Portrait of a Standing Woman)
Unknown — Untitled (Mother and Child in an Informal Pose)
Lorenzo G. Chase
active 1844-1856? — Untitled (Portrait of S
Pierre-Louis Pierson — Chaise rustique (autre)
Unknown — Untitled (Portrait of Seated Woman)
Franz Antoine — Betty Held, vereh. Solön-Engelsberg
L. H. Hale — Untitled (Portrait of Sarah Preston)
Albert Sands Southworth|Josiah Johnson Hawes|Southworth and
Rufus Anson (American, 1820–1900) — Teenage girl with bottle
Child Standing on a Chair Holding Flowers, with Mother
Unknown — [Portrait Collage]