Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Nicholson, like so many European and American artists at the time, was influenced by the nontraditional aspects of Japanese art. As in ukiyo-e, Japanese color woodcuts, Nicholson used a limited color scheme and simplified forms, silhouetting his subjects on solid backgrounds that flatten space. An Alphabet was the first of several sets of prints Nicholson made for the publisher William Heinemann, who was not solely motivated by profit; he found books a source of intellectual pleasure and, as a cultured man with cosmopolitan tastes, appreciated Nicholson’s bold and witty designs. Nicholson cut woodblocks for the images that were first issued in a small edition of hand-colored woodcuts. The designs were then published in large editions as color lithographs.
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Paul Gavarni (French, 1804–1866) — Une Rentière
Paul Gavarni (French, 1804–1866) — Le Vigneron
Honoré Daumier (French, 1808–1879) — The Pedestrian
Paul Gavarni (French, 1804–1866) — À la Halle
Johann Christoph Erhard|Ferdinand Kettner — The Tobacco Smok
Jacques Callot (French, 1592–1635) — The Beggars: The Beggar
Paul Gavarni (French, 1804–1866) — Propriétaire
Félix Vallotton (Swiss French, 1865–1925) — All right, so he
Adriaen van Ostade — Peasant with Stick
Paul Gavarni (French, 1804–1866) — Un Fort
Félix Vallotton (Swiss French, 1865–1925) — By order of the
Paul Gavarni (French, 1804–1866) — Baliverneries Parisiennes