● On view now — Gallery 134
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Resting upon a dark, varnished wooden base, this rugged and craggy rock with numerous holes and crevices was likely displayed in a scholar’s studio during the Qing Dynasty, possibly serving as a brush stand. Its saturated black color, juxtaposed with the light-brown texturing, gives the rock a moist and glossy appearance. This surface quality hints at the rock’s potential origin in Lingbi, Anhui province – the renowned source of the finest scholar’s rocks. Sometimes, the found rocks were carved to enhance their visual appeal. The natural yet fantastical aesthetics of rocks like this evoke mountain landscapes that seem almost animated when viewed from different angles. To Qing scholars, these rocks represented microcosms of the universe, accessible within the confines of their own studios.
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Rinaldo Carnielo — Table Centerpiece
United States Pottery Company — Pair of Candlesticks
Bohemia, Czech Republic — Decanter
Lyman, Fenton & Co. — Footwarmer
Bow Porcelain Factory — Sweetmeat Dish
England or France — Six Printing Blocks
William Arthur Smith Benson — Cachepot
Delft, Netherlands — Bottle
India
Possibly Kashmir — A folding Qur’an stand
Loetz — Vase
Korea — Faceted and Covered Jar
Ancient Egyptian — Jar