Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Around 1853 a few artists and photography buffs who were searching for a photographic method of producing multiple prints developed the cliché-verre. A glass plate is coated with an opaque ground through which the design is drawn with a sharp instrument. The plate is then placed on top of a sheet of light-sensitive paper and exposed to light so that the image is reproduced on the paper.
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Félix Bracquemond (French, 1833–1914) — Landscape, after Fra
Claude Lorrain (French, 1604–1682) — The Cowherd
Rodolphe Bresdin (French, 1822–1885) — The Stream
Jean Baptiste Camille Corot (French, 1796–1875) — Italian La
Jean Baptiste Camille Corot (French, 1796–1875) — Italian La
Jacob van Ruisdael — A Forest Marsh with Travelers on a Bank
Auguste Louis Lepère (French, 1849–1918) — The Twisted Tree
Charles François Daubigny — Stags
Alphonse Legros (French, 1837–1911) — A Woodland Study
Félix Bracquemond (French, 1833–1914) — The Call to Order
Jacob van Ruisdael (Dutch, 1628/29–1682) — The Wheat Field
John Crome (British, 1768–1821) — Back of the Mills