Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Theatrical spectacles often marked the momentous occasions of royal weddings and births. These ephemeral events incorporated dance, music, poetry, and even pyrotechnics, aristocratic antics captured in the ephemeral medium of print. Jean-Michel Moreau the Younger created an expansive etching of the fireworks celebrating the birth of the dauphin Louis-Joseph, son of Louis XVI and Marie Antoinette. This iconic image emphasizes the power of the festival machine, a veritable temple of fireworks, by miniaturizing the onlookers within the massing crowd. The etching’s size contributes to its rarity; this impression was preserved in an album, as were most surviving examples.
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Jean Michel Moreau the Younger — Birth of the Dauphin: The C
Giovanni Ambrogio Brambilla|Claudio Duchetti — The firework
Jan van Vianen — The Dutch Victory over the French and Spani
Adriaen Manglard — Fireworks in Rome Over Castel Sant' Angel
Giovanni Ambrogio Brambilla|Claudio Duchetti — Speculum Roma
Charles Meryon (French, 1821–1868) — Henry IV College
Wenceslaus Hollar — Fireworks at Hemissem
Anonymous, German, 17th century|Willhelm Hoffmans|Johann Bri
Wenceslaus Hollar — Fireworks at Hemissem
Jacques François Blondel|P. G. Le Mercier|Pierre Soubeyran|J
Jacques Callot — A Festival on the Arno, from The Caprices
Quentin Pierre Chedel — Vue d'un embrasement