Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Unlike painting, printmaking allowed Canaletto to separate and combine images at his own discretion. He etched the outer two vignettes (1922.1381.10 and .12) on a single plate before cutting it in two. Then he reversed their order and positioned a third, unrelated segment seen here between them. This plate is the missing piece from View of a Town with a Bishop’s Tomb (1922.1381.8). Besides reusing fragments of larger plates, these mysterious composite prints appear to have little in common beyond the archways and statues they contain.
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Antonio Canaletto (Italian, 1697–1768) — Views: Fragments o
David Young Cameron — St. Merri
Alfred Alexandre Delauney (French, 1830–1894) — Maison dite
Charles Meryon — La galerie Notre-Dame
Odilon Redon — And On Every Side Are Columns of Basalt,...th
Charles Meryon — Gallery, Nôtre-Dame Cathedral, Paris
Charles Meryon (French, 1821–1868) — The Etchings of Paris:
Charles Meryon — The Gallery of Notre-Dame, Paris
Charles Meryon (French, 1821–1868) — Entrance to the French
Charles Meryon — The Gallery of Notre-Dame, Paris
David Young Cameron — Chartres
Otto H. Bacher (American, 1856–1909) — Interior of St. Mark'