Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Various threads of German Romantic art---spiritualized landscape, medievalism, and religious imagery---were woven together in the work of Olivier, a Nazarene. Olivier based Seven Views in Salzburg and Berchtesgaden on sketches made during two trips to the Tyrolean Alps. In the series, Olivier used the days of the week to represent cycles of growth and decay, the stages of human life, and the Passion of Christ. Monday resonates with religious meaning; three figures allude to the Holy Family working in domestic harmony in the landscape.
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Thursday. Berchtesgaden and the Watzmann
Monday. Rosenecker Garden in Front of Salzburg
Seven Areas from Salzburg and Berchtesgaden. Arranged accord
Tuesday. Bergveste Salzburg from the Midday Side
Wednesday. Footpath on the Mönchsberg near Salzburg
Capstone. John XX, 29
Friday. Meadow Plan in Front of Aigen Near Salzburg
Saturday. Gottesacker to Sct. Peter in Salzburg
Marco Ricci|Carlo Orsolini — Plate 4: landscape with man lea
Herman van Swanevelt (Dutch, c. 1600–1655) — The Cave
Jean Jacques de Boissieu — River Crossing
Herman van Swanevelt (Dutch, c. 1600–1655) — The Flight into
Johann Christian Reinhart (German, 1761–1847) — Heroic Lands
Allart van Everdingen — The Broad River
Joseph Vernet|Jean Jacques Le Veau — Vue Proche du Mont-Ferr
Allart van Everdingen — The Third Spring
Jean Jacques de Boissieu — View of the Convent of the Barefo
Johann Christoph Erhard — The Grove with Boys
Johann Christian Reinhart (German, 1761–1847) — Heroic Lands
Giovanni Francesco Grimaldi — Landscape with the flight into