Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Various threads of German Romantic art---spiritualized landscape, medievalism, and religious imagery---were woven together in the work of Olivier, a Nazarene. Olivier based Seven Views in Salzburg and Berchtesgaden on sketches made during two trips to the Tyrolean Alps. In the series, Olivier used the days of the week to represent cycles of growth and decay, the stages of human life, and the Passion of Christ. Monday resonates with religious meaning; three figures allude to the Holy Family working in domestic harmony in the landscape.
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Thursday. Berchtesgaden and the Watzmann
Monday. Rosenecker Garden in Front of Salzburg
Seven Areas from Salzburg and Berchtesgaden. Arranged accord
Tuesday. Bergveste Salzburg from the Midday Side
Wednesday. Footpath on the Mönchsberg near Salzburg
Tuesday: The Castle of Salzburg Seen from the South
Monday: Rosenecker Garden before Salzburg
Capstone. John XX, 29
Ferdinand Olivier — Monday: Rosenecker Garden before Salzbur
Claudine Bouzonnet-Stella — The Apiary, Garden Cultivation a
Marco Ricci|Carlo Orsolini — Plate 4: landscape with man lea
Giovanni Francesco Grimaldi — Landscape with a Luteplayer
Hans Bol — Plate 1, from Landscapes with Scenes from the Old
Harriette Anne Seymour — Italianate Landscape with Lake and
Nicolaes de Bruyn — Hosea and the Prostitute Gomer
Claudine Bouzonnet-Stella — The Bird Catchers, Plate 7 from
Herman van Swanevelt (Dutch, c. 1600–1655) — The Cave
Jean Jacques de Boissieu — River Crossing
Ferdinand Olivier — Friday: Meadow before Aigen Near Salzbur
Jacob Savery, I — Tavern to Right of a Path, from Landscapes