Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The painter Anthony van Dyck etched only the head of most of his portraits, leaving the background to other artists. Jacques Neeffs expanded this print with engraved lines, transforming Van Dyck’s abbreviated self-portrait into a sculptural bust atop a robust column. Finished posthumously, long after Van Dyck’s appointment as court painter to Charles I of England, the resulting print reinforces Van Dyck’s fame, serving as it does as the title page to his Iconography , a series of portraits of artists and other celebrated contemporary figures. His original self-portrait head, itself iconic, would become a milestone in the history of artist self-portraits.
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Anthony van Dyck (Flemish, 1599–1641) — Self-Portrait
Anthony van Dyck (Flemish, 1599–1641) — Self-Portrait
Lucas Emil Vorsterman — Anthony van Dyck
Adriaen van de Venne|Wenceslaus Hollar — Adriaen van de Venn
Robert Nanteuil — Louis-François de la Baume de Suze
Jan Saenredam — Portrait of Hans von Aachen
Jacob Matham — Jan van de Velde the Elder, Calligrapher in H
Anthony van Dyck — Justus Suttermans
Paul Pontius — Daniel Mytens
Andries Stock — Jacob de Gheyn II
Hendrick Goltzius — Johannes Stradanus
Aegidius Sadeler, II — Charles Bonaventure de Longueval