● On view now — 202 French Neoclassical Decorative Arts
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Little is known about Boquet's life, and his artistic origins remain obscure. His style and technique suggest that he received formal training, but where and with whom is unclear. An inscription on a painting attributed to Boquet implies that he spent time in Rome, where he would have seen works by 17th-century French artists such as Claude Lorrain. This may explain the gentle, bucolic atmosphere and the warm, golden light in Pollard Willow , characteristics of which recall the paintings of Lorrain and his contemporaries. The severe pruning or pollarding of trees, especially willows, was a common practice before the Industrial Revolution (about 1750–1850). The procedure allowed the tree to produce large numbers of shoots, which were used in basketry, fence construction, and as fodder for farm animals.
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Gerard Bilders — The Goatherdess
George Andries Roth — Gezicht in het Bentheimse bos
Adolf Karel Maximiliaan Engel — Landscape with Cattle
Alexander Joseph Daiwaille (Dutch, 1818–1888) — Landscape wi
Jan Kobell (II) — Landscape with Cattle
Pieter Gerardus van Os — Landscape with Herdsmen and Cattle
Jan Siberechts (Flemish, 1627-c. 1703) — Peasants Crossing a
Johannes Warnardus Bilders — Landscape with Farmstead
Patrick Nasmyth — Near Penshurst, Kent
George Inness (American, 1825–1894) — The Wood Chopper
Jacob van Strij — Meadow Landscape with Animals
Wouter Johannes van Troostwijk — A Barn on the Bank of a Str