Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
While most etchings are created in the intaglio process whereby the etched lines hold ink, in this print by Harpignies, the work is printed like a woodcut, a relief process. Here the surface of the plate was covered with black ink and printed as a relief so that the etched lines, which do not hold ink, appear white. This was an unusual process to be used in the nineteenth century and was likely done by the artist as a technical experiment.
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Rodolphe Bresdin — The Forest of Fontainebleau
Jean Baptiste Camille Corot — The Cow Pasture
David Octavius Hill|Robert Adamson|Hill and Adamson — Tree
Camille Pissarro — Wooded Lane at Pontoise
Félix Henri Bracquemond — Le Chemin de Coutures, à Sèvres
Unknown — [The Wilderness Battlefield]
Charles Émile Jacque — Landscape with Cowherd
Charles François Daubigny (French, 1817–1878) — The Orchard
Adolphe Théodore Jules Martial Potémont (French, 1828–1883)
Félix Bracquemond (French, 1833–1914) — Landscape: Sunset, a
Herman Naiwincx (Flemish, c. 1624–after 1651) — The Three La
Adolphe Théodore Jules Martial Potémont (French, 1828–1883)