Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The late 18th and early 19th centuries were an incredibly fertile period for innovation in the European textile industries, especially in the field of direct printing. Decades of experimentation led to the development of a variety of ways to apply color and pattern to cloth, which enabled artists and designers to invent new design vocabularies and quickly respond to cultural trends and ideas. One of the most enduring of these innovations was the ability to print on cloth with copperplates and then subsequently with engraved copper metal rollers. The quality of detail achieved through this method was unrivaled in terms of clarity, precision.
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Hound Standing
Capriccio with Fountain and Frolicking Swans
Le Tombeau de Jean Jacques Rousseau (The Tomb of Jean Jacque
L'Amour et Psyche (Cupid and Psyche) (Furnishing Fabric)
Panel (Furnishing Fabric)
Le Parc du Chateau (Furnishing Fabric)
“Paul and Virginie” Furnishing Fabric
Scènes Flamandes (Furnishing Fabric)
China — Panel (Dress Fabric)
Japan — Kesa
William Morris — Wey
Probably Kashmir for the Persian market (present-day Iran) —
Italy, possibly Milan — Three Lengths of Woven Silk
Italy, possibly Milan — Length of Woven Silk
Japan — Fragment
Greece, Cyclades Islands, Naxos — Panel (Bed Curtain)
Japan — Fragment
Made in Bengal, India, for the Portuguese market — Cover
France — Panel
Iran (Isfahan) — Panel (Dress Fabric)