DISCOVERART

Anonymous, Italian, Roman-Bolognese, 17th century

An Audience (recto); Sketch of a nude woman (verso)

17th century
Pen and brown ink, brush with blue-green wash, over black chalk? on light tan paper. Fragments of brown ink framing outlines at left, top, right edges
26.1 × 19.6 cm (10.3 × 7.7 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.org ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Anonymous, Italian, Roman-Bolognese, 17th century

Saint Michael Expelling the Fallen AngelsSaint Michael Expelling the Fallen AngelsHead of a Bearded Old Man in Three-Quarter View Looking DownHead of a Bearded Old Man in Three-Quarter View Looking DownLandscapeLandscapeLandscapeLandscapeTrees and HousesTrees and HousesLandscape with House and TreesLandscape with House and TreesLandscape with Ruined TowerLandscape with Ruined TowerThe Temptation of Saint AnthonyThe Temptation of Saint Anthony

More like this

The Adoration of the ShepherdsSébastien Bourdon — The Adoration of the ShepherdsAdoration of the MagiErcole Graziani the Younger — Adoration of the MagiAllegory of HistoryUnknown artist — Allegory of HistoryMystic Marriage of St. CatherineVeronese (Paolo Caliari) — Mystic Marriage of St. CatherineSacrifice of Jeptha's DaughterFrançois Boitard — Sacrifice of Jeptha's DaughterAllegorical Homage to an Architect (?)Alessandro Gherardini — Allegorical Homage to an Architect (Ecce HomoCharles Antoine Coypel — Ecce HomoSaint Roch at right distributing alms to a group of people gathered around him, after Annibale CaracciPietro Stefanoni|Annibale Carracci|Francesco Brizio — Saint Virgin and Child in Glory with Angels and SaintsAnonymous, Italian, Venetian, 18th century — Virgin and ChilDesign for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)Pietro da Cortona (Pietro Berrettini) — Design for a Thesis Adoration of the MagiAnonymous, Italian, Genoese, 16th century — Adoration of theStudy for Venice Receiving Homage and Gifts from Brescia, Udine, Padua, and Verona, with Doge Francesco Venier Presenting ThemJacopo Negretti, called Palma Giovane — Study for Venice Rec