Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Abraham Bloemaert here used black chalk to carefully render a nude figure with notched ribs. The apparent strain in the figure’s sinewy muscles and the schematic rendering of support underneath his body suggest that the artist drew this figure from a live model. The rigid outline of the man’s body in addition to the short, hatched lines used for shading imply that Bloemaert could have conceived of this drawing for a pedagogical purpose. Bloemaert supervised dozens of pupils and is known to have organized life-drawing sessions with his contemporary Paulus Moreelse (1571–1638). Abraham’s son Frederick later published a book of prints based on his father’s drawings with the intention of providing additional sources for artistic training.
Be the first to share your thoughts.
Sign in to join the discussion.
Gaetano Gandolfi (Italian, 1734–1802) — Reclining Male Nude
Unknown Italian — Reclining Nude Male
Giovanni Angelo Canini — Copy after a Sculpture of the Sleep
Anonymous, French — Study of a Male Nude
Anonymous, Italian, Roman-Bolognese, 17th century — Reclinin
Giacomo Zoboli — Christ Blessing
Anonymous, Spanish, School of Seville, 17th century|Pedro D
Pedro Duque Cornejo|Anonymous, Spanish, School of Seville,
Pietro Testa|Giovanni Cesare Testa — The dead Christ accompa
Jean Restout le jeune — Seated Male Nude
Circle of Peter Paul Rubens — Male Nude Tied to Tree
Nicolas de Plattemontagne — The Dead Christ Lying in the Sep