Jeanne Bécu, Comtesse Du Barry, and her servant Zamor

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

The artists of the Gautier D’Agosty family experimented with several approaches to color printing. In the attempt to make what they called “printed paintings”, they sometimes even varnished their final results. This aquatint is not only printed in full color from multiple plates, but the lace bordering Madam du Barry’s negligée has been deeply embossed in a painterly impasto manner. The accompanying poem suggest fawningly that this royal mistress in her boudoir is indistinguishable from Venus, the goddess of love.

Source ↗