Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Aquatint is a printing technique developed in the mid-17th century to create tonality, but it was not until the 18th century that it gained popularity as a means to imitate wash drawings and watercolors. This color aquatint was made to capitalize on the successful one-act musical play Nina, ou La folle par amour (Nina, or The Woman Maddened by Love), which premiered on May 15, 1786. The leading actress, Louise-Rosalie Lefebvre, is seen here at the pivotal moment when Nina, who goes mad believing her fiancé has been murdered, visits the grove where they first proclaimed their love and leaves a bouquet on a bench.
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François Robert Ingouf — Evening Walk, from Monument du Cost
Pierre Antoine Baudouin|Nicolas Ponce — Marton
Jean Antoine Pierron — Irresolution, or the Confidence
Francesco Bartolozzi — Miss Farren
Daniel Chodowiecki (German, 1726–1801) — Susanne (The Artist
Alexandre Moitte — An Elegant Young Woman in a Garden
Jean Honoré Fragonard|Nicolas de Launay — La Bonne Mere
Jacques Firmin Beauvarlet|François Boucher — La Rêvuse (The
Jean Gabriel Caquet — La Soiree du Palais Royal
Pierre Antoine Baudouin|Isidore Stanislas Henri Helman — Le
Charles Nicolas Varin — The Pleasant Concert
Pierre Antoine Baudouin|Montbrian De Chateauvieux — Marton,