Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the 18th century designs for textiles were often drawn by professionals trained in floral painting. Designs for waistcoats usually show the lower edge of the garment from the pocket to the hem, indicating to both embroiderer and client all of the motifs included in the pattern. This drawing is inscribed with number 654 . Such numbers helped the merchant and makers identify patterns and prices when a client selected a pattern.
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France, probably Lyon — Design for an Embroidered Waistcoat
France — Design for a Woven, Printed or Embroidered Border
France — Design for a Woven or Embroidered Fabric
France — Design for a Woven, Printed or Embroidered Border
Probably France — Design for a Woven, Printed, or Embroidere
France — Design for a Printed, Woven, or Embroidered Skirt P
Veret — Mise-en-carte (Point-paper)
Germain Frères — Mise-en-carte (Point-paper)
Anne Allen — Flowers
Anne Allen — Plate, from New Suite of Notebooks of Ideal Flo
Germain Frères — Mise-en-carte (Point-paper)
France — Design for a Printed, Woven, or Embroidered Border