Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In order to exhibit as much as possible in his home, Bonebrake removed the doors from closets to create mini-galleries. One of these, which he dubbed the “chamber of horrors, was reserved for works that might cause fright or apprehension. Birds of Prey, which depicts avians clutching human body parts, would have been hung there. It was published in L’Estampe Originale (The Original Print), the greatest of the late-19th-century print publications.
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Félix Bracquemond (French, 1833–1914) — The Seagulls
Félix Bracquemond (French, 1833–1914) — Seagulls (Les Mouett
Félix Bracquemond (French, 1833–1914) — Vulture
Félix Bracquemond (French, 1833–1914) — Swallows
Henri de Groux (Belgian, 1867–1930) — The Vintages!: Seven O
Félix Bracquemond (French, 1833–1914) — The Storm Cloud
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Flyi
Henri de Toulouse-Lautrec (French, 1864–1901) — Project for 
Paul Gauguin (French, 1848–1903) — Noa Noa: L'Univers est cr
Félix Bracquemond (French, 1833–1914) — The Vulture
Félix Bracquemond (French, 1833–1914) — Teal
Fritz Eichenberg|WPA — Preaching to the Birds
