Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This print comes from a series of four etchings known as the "Salzburg landscapes with large figures." Johann Erhard used the setting of the figures in the landscape to hint at wider concerns. This composition of an elderly man approaching a bridge may be read as a metaphor for crossing the boundary between life and death. In Erhard’s oeuvre, the beauty of the landscape gives no assurance of a carefree way of life. His pessimistic outlook can be linked to his mental collapse and suicide in 1822.
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Charles-Émile Jacque (French, 1813–1894) — Shooting the Wood
Samuel Palmer (British, 1805–1881) — The Skylark
Samuel Palmer (British, 1805–1881) — The Herdsman's Cottage
Samuel Palmer (British, 1805–1881) — Christmas (Folding the
Samuel Palmer (British, 1805–1881) — The Herdsman's Cottage
Samuel Palmer (British, 1805–1881) — The Skylark
Charles-Émile Jacque (French, 1813–1894) — Summer Day
Johann Christian Reinhart (German, 1761–1847) — Heroic Lands
François-Louis Français (French, 1814–1897) — After the Show
Johann Christian Reinhart (German, 1761–1847) — Heroic Lands
Johann Christoph Erhard — The Artist, Resting with his Guide
Samuel Palmer (British, 1805–1881) — The Sleeping Shepherd