● On view now — 118 Italian Renaissance
Cleveland Museum of Art, Cleveland · verified August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Ultramarine, the blue pigment used lavishly across this tondo (circular painting), was many times more expensive than gold in the Renaissance.
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Sandro Botticelli (Italian, 1444/45–1510) — Virgin and Child
Master of the Holden Tondo (Italian) — Virgin and Child with
Gherardo Starnina (Italian, c. 1360–before 1413) — Madonna a
Meester van de Conversazione di Santo Spirito — Maria met Ch
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) — Madonna Ador
Raphael (Raffaello Sanzio or Santi) — Madonna and Child Enth
Fra Filippo Lippi (Italian, c. 1406–1469) — Virgin and Child
Piero di Cosimo — Virgin and Child with the Young Saint John
Cosimo Rosselli — De aanbidding van het Christuskind
Jan Gossaert (Flemish, c. 1475/78–1532) — Virgin and Child i
Paolo Veronese (Italian, 1528–1588) — The Annunciation
Tommaso Lunetti — Virgin Adoring the Christ Child with St. J
