Daniel van den Dyck

The Deification of Aeneas by Nymphs and Cupids

c. 1645
Etching in black on ivory laid paper
31.6 × 41.2 cm (12.4 × 16.2 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

The hero of Virgil’s epic the Aeneid , Aeneas is associated with the foundation of Roman culture following the fall of Troy and an arduous journey to his destined homeland in Italy. In this print, Aeneas is prepared for deification; his armor has been removed, and nymphs and cupids perform a ritual cleansing of his body. Van den Dyck, an artist who emerged from the orbit of Peter Paul Rubens, realized this print during one of his many years in Italy. After settling first in Venice, the artist eventually became a court painter to Duke Carlo Gonzaga II in Mantua.

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