Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jan Harmensz Muller produced a series of masterful engravings from three different vantage points after wax models for Adriaen de Vries’s sculpture The Rape of a Sabine Woman . When de Vries cast his sculpture around 1620, long after Muller produced his prints, he replicated the style of antique bronzes. Muller’s series highlights both his engraving skill and his ability to mimic sculpture in the round. The twists and turns of conflicting male and female bodies, from the ancient story in which Roman soldiers abducted brides en masse, showcase his talent.
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Adriaen de Vries|Jan Muller — The Abduction of a Sabine Wome
Hendrick Goltzius — The Farnesian Hercules, plate one from T
Louis Desplaces (French, 1682–1739) — Rape of the Sabines
Hendrick Goltzius (Dutch, 1558–1617) — The Farnesian Hercule
Hendrick Goltzius — The Farnese Hercules, from Three Famous
Jan Saenredam — Pluto and Proserpina, from Three Paired Gods
Lucas Kilian|Bartholomeus Spranger — Hercules and Antaeus
Hendrick Goltzius — Farnese Hercules
Adriaen de Vries|Jan Muller — Mercury Abducting Psyche (late
Adriaen de Vries|Jan Muller — Mercury Abducting Psyche (late
Adriaen de Vries|Jan Muller — Mercury Abducting Psyche (view
René Boyvin — Hercules and Deianira