Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Discovered wrapped and hidden in a remote, dry cave, this cache of ritual figures comes from the Salado culture, which flourished in the mountains of southwestern New Mexico and southeastern Arizona between the fourteenth and fifteenth centuries. Brilliantly colored and adorned with flicker feathers and dyed cotton string, these effigies once formed an altar as agents for communion with the life-giving spirits of the earth and sky. The large male figure, with his feather necklace and bold black-and-turquoise zigzag pattern, features sky symbolism. The smaller, female figure is a more self-contained form, probably corresponding to the earth. Her ocher color likely refers to maize and pollen, symbols of sustenance and fertility. The accompanying figures are a mountain lion (the chief predator in the region) and two serpents (carved from cottonwood roots), representing agents of communication with the earth and the seasonal cycle of fertility. Curved wooden throwing sticks for rabbit hunting complete the ensemble. Testimony to the antiquity and endurance of the worship of earth and sky and to the spiritual bonds between people and animals, these objects bear close resemblance to ritua
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Nasca — Beaker Depicting Human Head with Face Painting; and
Nasca — Stirrup Vessel in the Form of Figure with Abstract M
Nasca — Warrior Vessel
Hemba — Ritual Head
Nasca — Beaker in the Form of a Trophy Head with Bound Lips
Nasca — Jar in the Form of a Warrior Holding a Club and Othe
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Chancay — Dolls
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