Reliquary Bust of Saint Margaret of Antioch

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

The now empty space in the chest of this bust of Saint Margaret of Antioch once displayed a relic—an object associated with a saint or martyr. Margaret’s hands rest on a book, a symbol of her piety, and a dragon, an allusion to her struggle with Satan disguised as a beast. According to legend, a dragon swallowed her whole after her conversion to Christianity, but after making the sign of the cross, she burst forth from the dragon’s belly. She later became the patron saint of women in childbirth. Niclaus Gerhaert, whose female depictions are often characterized by an oval face ending in a round, dimpled chin, introduced an unconventional naturalism into his sculptures, thereby bringing sacred figures closer to the realm of the fifteenth-century viewer. In its original setting—the Abbey Church of Saints Peter and Paul in Wissembourg, France—this bust was likely accompanied by three others of early martyred women: saints Barbara and Catherine (now in the Metropolitan Museum of Art, New York) and Agnes (Anglesey Abbey, Cambridgeshire, UK). Both Margaret and Agnes are carved in walnut and lean forward with inclined heads, suggesting that they were originally installed next to each other

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