Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In 1891, as a result of his rheumatoid arthritis, Henri Edmond Cross moved to Cabasson, a hamlet on the Côte d’Azur in southeastern France. The move deeply affected his art: after settling on the Mediterranean coast, he embraced the divided brushwork (small dashes and dots of color) and tonal gradations of “scientific Impressionism.” This methodical technique was a departure from the Impressionists’ more intuitive quick strokes of color to capture fleeting atmospheric conditions. In this beach scene, Cross used this more systematic paint application to convey the color and heat of his adopted region.
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E. Webster — Sunlit Landscape
Winslow Homer (American, 1836–1910) — A Clam-Bake
Charles Demuth — Two Women and Child on Beach
Childe Hassam — Bailey's Beach, Newport, R.I.
Paul Huet — View at Étretat
Joaquín Sorolla y Bastida — Rocks at the Lighthouse, Biarrit
Edward Henry Potthast — A Holiday
Maurice Prendergast (American, born Newfoundland [now Canada
Georges Seurat — Group of Figures (Study for "Un dimanche à
Paul Gauguin — Tahitian Landscape