Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Those with devout hearts set out on medieval pilgrimages, but these journeys could also be experienced in social fellowship. The visionary English artist William Blake’s enormous frieze contains all 29 of Geoffrey Chaucer’s boisterous Canterbury Tales pilgrims, as well as a portrait of the author himself. In Chaucer’s book, each character tells stories while passing time along the way from London to Canterbury Cathedral, a pilgrimage route that rivaled the Camino de Santiago in Spain. Blake devoted reams of paper to advertise this print, describing Chaucer’s Tales as “the physiognomy or elements of universal human life.”
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The Angel Appearing to Zacharias
Angel of the Revelation (Book of Revelation, chapter 10)
Angel of the Divine Presence Bringing Eve to Adam (The Creat
The Parable of the Wise and Foolish Virgins
The Holy Family (Christ in the Lap of Truth)
God Judging Adam
The Circle of the Falsifiers: Dante and Virgil Covering thei
St. Matthew
William Blake (British, 1757–1827) — Chaucer's Canterbury Pi
Luigi Schiavonetti (Italian, 1765–1810) — Pilgrimage to Cant
Henry Stacy Marks — Canterbury Pilgrims
Jacob of Strasbourg|Benedetto Bordone — Soldiers, musicians
Jan Saenredam — The Punishment of Niobe (Plate 6)
Pietro Santi Bartoli|Polidoro da Caravaggio|Giovanni Giacomo
Rodolphe Bresdin — Caesar and His Prisoners
Pieter Coecke van Aelst|Mayken Verhulst — The Passage of a C
Anonymous — Plate depicting Giovanni Orsino, from a series o
Thomas Rowlandson — Postcart Monks and Women Near Church Doo
Thomas Stothard — Canterbury Pilgrims
Lucas van Leyden — David, Solomon, Rehoboam, plate one, from