Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In addition to dramatic views of Roman architecture, Giovanni Battista Piranesi created a series of prison interiors that were entirely invented. These vast, entangled passageways and cavernous chambers were first printed around 1750. Ten years later, Piranesi reworked the plates, heightening their ominous state in an implied critique of social injustice.
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Views of Rome: Temple of Cybele
The Piazza della Rotonda, with the Pantheon and Obelisk (Ved
The Forum Romanum, or Campo Vaccino, from the Capitol, with
The Piazza Navona, Rome, above the ruins of the Circus of Do
View of the Campo Vaccino (Roman Forum with the Temple of Ca
View of the Flavian Amphitheater, called the Colosseum, from
The Forum Romanum, or Campo Vaccino, from the capitol, with
View of the Temple of Cybele in the Piazza of the Bocca dell
Giovanni Battista Piranesi|Giovanni Bouchard — The Round Tow
Giovanni Battista Piranesi (Italian, 1720–1778) — The Prison
Giovanni Battista Piranesi|Giovanni Bouchard — The Pier with
Giovanni Battista Piranesi (Italian, 1720–1778) — The Prison
Giovanni Battista Piranesi|Giovanni Bouchard — The Gothic Ar
Giovanni Battista Piranesi|Giovanni Bouchard — The Smoking F
Giovanni Battista Piranesi (Italian, 1720–1778) — Prisoners
Giovanni Battista Piranesi|Giovanni Bouchard — The Staircase
Giovanni Battista Piranesi (Italian, 1720–1778) — The Prison
Giovanni Battista Piranesi (Italian, 1720–1778) — The Prison
Giovanni Battista Piranesi|Giovanni Bouchard — The Sawhorse,
Giovanni Battista Piranesi (Italian, 1720–1778) — The Prison